As her album Feeling the Space turns 50, we appraise the best of a bold and often underestimated artist
“I felt like soldiers were dying next to me,” said bassist Klaus Vormann of the scourging Ono-led improvisation that ended the Plastic Ono Band’s set at Toronto Rock and Roll Revival festival. An endless, agonised torrent of wailing feedback and screaming, it’s as confrontational as anything late-60s rock produced.
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